I have a small photo studio. I might add on and see if I can manage a tiny recording studio or a darkroom. Darkrooms need light, but the correct kind to be sure. I hope film stays with us . . damm you digital!
Ha! For "organizationally challenged" people like me, digital photography is a godsend. I've lost countless snaps to limbo and the occasional camera thief. These days the first thing I do after a shoot is back up everything to an off-site location, over the Internet.
But I hear you about real film. The nice, orderly rows and columns of digital pixels is so sterile compared to the randomness of film grain. Some of my favorite photos are grainy on purpose. There's a lot more, of course.
There are many different kinds of fluorescent lamps. At our retail photo store, we had a variety of tubes. Some were very blue and some were warm. We preferred those that produced a more or less daylight balance. Some were blue and some had a slight pink color.
I've seen fluorescent light fixtures used in TV since I was in the audience of "Bozo's Circus" at WGN-TV, circa 1968. I was the only kid there who spent the whole time watching the guys in the control room.
The thing is that the kinds of bulbs that you get at a camera store cost a lot, and are often made only for a certain type of fixture. I'm curious about how well plain old retail bulbs might work. Right now I'm shopping for a good portable 3-point lighting kit. I'm going to buy some good broadcast quality lights, but would love to know if I could augment the pro lights with inexpensive LED PAR lights.
The big deal with tubes is the occasional hum. At least back in the day. Some people could hear it and some could not. I only noticed with the starters and/or ballasts started to go bad. When the ballasts went, they sometimes left a really sticky mess.
Thankfully those days are over. The inexpensive switching power supplies used in CFL bulbs operate at frequencies beyond the human range of hearing. Higher frequencies allow smaller transformers. That saves money and eliminates the flicker and hum. Win-win.
I do think LEDs are here to stay. Take a look at some of the powerful LEDs from Lumex. Amazing and a far distance from the first LEDs I remember. God . . . how old I am to remember when LEDs arrived.
I remember going to the local Allied Electronics store and buying LEDs in quantities of one. I might have made the first LED flashlight when I took the first green LED I could get my hands on, and crammed it and 3 AAA cells in a then-new plastic Kodak 35mm film container. It worked pretty well, considering that was 40 years ago. Today I have a pocket flashlight that I can conceal in the palm of my hand and
puts out 500 lumens. I've replaced all the exterior signal lights in my cars with LED modules. The instant-on makes them a lot more visible, and I'll never get a ticket for having a light out.
But in the home the only place where LED lighting is clearly superior is with outdoors lights. CFL bulbs can't handle the temperature extremes. I have a 2W LED in my porch light that's survived two winters so far.
Some dyes and pigments do look different depending on the type of lighting.
How about the fluorescent additives in laundry detergent that makes clothes brighter...literally.